She was to Brussels by the President of the European Parliament Martin Schultz to perform in a recital in five languages on the occasion of the inauguration of the Italian Works of Art Exhibition during the Celebrations for the Italian Presidency of the Council of Europe.
Has just returned from Istanbul where she held an A Solo Recital at the prestigious Theater Mesrutiyet under the patronage of the Italian Consulate with a program inspired by the relationship between the Music and the Sea: Invitation au Voyage, a musical cruise among the composers of the Mediterranean area.
The recording of her last solo recital “A Solo Recital: the Hidden Compwriters” which took place just outside Naples, in the splendid setting of cathedral of Vico Equense – Sorrento, where she gave life to some of the songs composed by the greatest writers and poets, from Rousseau to Garcia Lorca, from Nietszche to Joyce, up to Paul Bowles, therefore unsuspected composers of great breadth and musical impact.
She was recently involved in the evocative production of Wally Decker by Katja
Kabanova by Janàcec at the Teatro di San Carlo in Naples conducted by Juray Valchua,
She is the mezzo-soprano chosen by Riccardo Muti for the musical meeting that the Maestro wanted to offer to the children of the Institute Nisida Juvenile Penitentiary last November, where she performed in the most famous opera arias of her repertoire.
Il suo recente debutto nel ruolo di Dimitri nella Fedora di Giordano al San Carlo di Napoli diretta da Ascher Fisch, ha riscosso un particolare successo di pubblico e di critica, confermandola eccellente interprete e attrice anche nei ruoli en travesti.
E' solista nell'ultima edizione del Requiem di Mozart al San Carlo di Napoli, sotto la guida di Hansjorg Albrecht e la coreografia di Boris Eifmann.
Ha debuttato nell Armide di Gluck al Nederlandse Oper di Amsterdam sotto la direzione di Ivor Bolton e la regia di Barrie Kosky. Sotto la bacchetta di Bolton è stata poi The Queen of Sheba alla RAI di Torino, nel Solomon di Haendel andato in onda sul palinsensto radiofonico internazionale RAI.
I suoi più recenti impegni l'hanno vista nel Magnificat di Bach al Teatro Petruzzelli di Bari sotto la guida di Daniele Rustioni, al Theater an der Wien come Giunone nella Calisto di Cavalli, diretta da Christophe Rousset e Les Talents Lyriques, come Serse in Haendel, in tournée francese, e Bradamante nell' Orlando Furioso di Vivaldi all'Auditorium Nacionàl di Madrid, in entrambe le occasioni diretta da Jean Christophe Spinosi col suo Ensemble Matheus, come Turnspit nella Rusalka di DvoÅ™ák al San Carlo di Napoli, diretta da John Fiore,
e come Annio nella Clemenza di Tito di Mozart, nel memorabile allestimento che ha inaugurato la grande riapertura del massimo partenopeo diretta da Jeffrey Tate la regia di Luca Ronconi e gli splendidi costumi di Emanuel Ungaro
The beginnings: Already an expert pianist, at a very young age she began studying singing under the guidance of the famous mezzo soprano Fedora Barbieri, who accompanies her until her debut at the Teatro la Fenice in Venice where she sings as Cecchina conducted by Alan Curtis in the First Edition in modern times of the opera by Traetta “Buovo d’Antona” (CD
Live OPUS111) and subsequently in the Baroque and eighteenth-century repertoire of the Neapolitan School with Antonio Florio and his Cappella dei Turchini with La Colomba Feritae and the Lo Schiavo di Sua Moglie by Provenzale for four seasons of “Orizzonti Barocchi” of the Teatro Massimo Palermo.
With the same Ensemble we remember her interpretations in: La Finta Cameriera (Filindo) (CD Opus 111), and Alidoro (Elisa) by Leo (CD DVD Dynamic) Premio choc musique e fff de télérama, live recording from the Valli Theater in Reggio Emilia.
Since the beginning of her career she has collaborated with internationally renowned directors and directors:
Ivor Bolton, John Fiore, Daniele Rustioni, Pierluigi Pizzi, Jeffrey Tate, Jerome Correas, Christophe Rousset, Jean-Christophe Spinosi, Luca Ronconi, Nathalie Spinosi, Claudio Desderi, Josè Carlos Plaza, Andrjy Yurkevitch, Bruno Campanella, Gabriele Ferro, Antonello Allemandi, Herbert Handt, Antonio Florio, Christophe Galland, Andrea de Rosa,
Christopher Franklin, Alan Curtis, Arturo Cirillo, Fabio Biondi, Rinaldo Alessandrini, Roberto de Simone, Peter Maag, Davide Livermore, Barrie Kosky
Formerly teacher of Renaissance and Baroque singing at the Corelli Conservatory of Messina, il Giacomantonio of Cosenza and Respighi of Latina, as well as Diction for Singing for the ISSM of Nocera Terinese.
She has graduated in Piano, Singing, Literature and French Language, Diction and Phonology of the Italian Language.
She obtained a specialization as a Professional Dubbing Actress in la Voice Art Dubbing di Roma which gave her a further professional opening in this art form, the Dubbing, where the spoken voice unveils itself of music and physical presence and becomes pure sound
of thousand shades (American Horror Story, Pedro Dom, Mayans, Feud Capote vs. the Swans)
In addition to academic teaching, she has chosen to create a method for singers, musicians, dancers, instrumentalists which she called “la Voce assoluta”. The purpose of the method is to acquire the tools in order to get in touch with that intimate, profound and paradoxically silent part, of our true sound, free and liberated from conditioning, closures, fears and mistrust.
Her artistic training has always been supported by in-depth work
on the body that creates music and becomes music”; she supported her interest and physical aptitude with study and practice of techniques of bodily expression and communication through non-verbal language, integrating with them her own already rich expressive and artistic language.
She has come to integrate the daily practice of Yoga with artistic vocal emission, in one holistic vision of art intimately connected to the essence of the person in his unity. The practice of yoga helps you to know everything in a totally conscious, easy and fast
way. It helps to release the muscular tensions that intervene in breathing and sound emission, through physical, mental, emotional and physical strengthening of the voice voice.
She has followed courses and master classes in Feldenkreis (Ulysses' ship), HataYoga, Thai Chi (Style Chen), Body Mime Technique (Etienne Decoux Method), Basic Training Technique of the Actor (Jacques Lecoq Method), Wilfart Method.
